By Scott Cantrell | The Dallas Morning News If that concert wouldn’t have put a smile on your face, you’ve a sterner constitution than your correspondent. That was the Dallas Chamber
By Scott Cantrell | The Dallas Morning News [Richard McKay’s] program was imaginative and appealing, and it was very well performed, with particularly eloquent contributions from Danny Goldman (clarinet) and
DCS music director Richard McKay leads incisive, sensitive performances of Joseph Thalken’s ‘Chasing Home’ and Aaron Copland’s ‘Appalachian Spring Suite’. The recording, made in the acoustically superb Moody Performance Hall, is commendably clear and natural. Highly recommended.
There’s a special pleasure in hearing a refreshing take on a composition you know pretty well. Not, of course, a performance that’s distorted or belabored with point making. On Tuesday night, at Moody Performance Hall, music director Richard McKay led the Dallas Chamber Symphony in a fresh take on the Brahms Third Symphony.
For Beethoven’s Eighth Symphony, McKay opted not for monumentality, but for the high spirits implied by Beethoven’s metronome markings. The outer movements were exhilarating. As throughout the concert, music director Richard McKay conducted clearly and expressively, without ever overdoing it. The orchestra responded with a gently urgent, warmly shaped performance…
The most compelling performance of a Beethoven symphony I’ve heard in quite a while happened Tuesday night at Moody Performance Hall. With music director Richard McKay conducting, the Eroica… must have been pretty close to Beethoven’s lively metronome markings. Proving the oft-disregarded tempo indications both practicable and dramatically gripping, the performance captured a nervous intensity that seems quintessentially Beethovenian.